While other bands think that black metal is only good and proper when it is as loud and raucous as possible, Marcus’ work is much more complex and complicated. There are many melodic parts including sounds from a piano, and a lot of beautiful sound constructions which put you in an almost melancholic mood. But if I say melancholic, I mean diabolically melancholic. Whilst listening to the album a certain longing for doom and damnation (towards all you call your enemies, may it be Christians or whoever) spreads inside the listener. The evil aspect of this album is constantly lurking deceitfully in the ambush until it breaks out pitilessly at a certain point in each song. This means, you will not be overrun by too much noise, but there’s that creeping mid-tempo construct, on which the anti-christian work is built upon. The music swirls around you with splendorous, bizarre, extraordinary innovative, evil tunes and melodies. These songs really have acquired their own personality and paint a picture of bleak landscapes, in which only Satan can reign. “Cometh doom, cometh death” will be engraving your heart.
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