The vocals match the rest of the music in ways unfitting for most melodic death. Tägtgren’s shrieks, growls, and entranced cleans are complimented by cryptic, finely-produced, Abyss studio-certified melodic death. The amount of vociferous bass support that grumbles and adds meat to the blistering guitar tone is delicious. It’s a noticeable boost from Abducted‘s clearer mastering. [O quê? Abducted parece uma demo tirada de uma máquina de lavar dum OVINI – e não tô reclamando!] The riffs – doom-slow or primal-fast – make this one of the band’s heavier and darker albums of their melodic death era. Something like Shamateur and its blend of harmonics and ruthlessness shows a band intending a one-way trip of intense playing for the last time.
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